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"Of course you are all against me," Lady Rodney is saying, in a rather hysterical tone. "Even you, Violet, have taken up that girl's cause!" She says this expectantly, as though calling on her ally for support. But for once the ally fails her. Miss Mansergh maintains an unflinching silence, and seats herself in her low wicker chair before the fire with all the air of one who has made up her mind to the course she intends to pursue, and is not be enticed from it. "But why, darling? Could you not be happy as my wife?" It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair..

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"Answer me," persists Mona, not heeding—nay, scarcely hearing—his last speech. "You said once it would be difficult to lie to me. Do you know anything of this missing will?" At breakfast Mona betrays the fact that she has met Paul Rodney during her morning ramble, and tells all that passed between him and her,—on being closely questioned,—which news has the effect of bringing a cloud to the brow of Sir Nicholas and a frown to that of his mother. "My son," he said to Scarface, "I will not forget what you have this day done for me. Tell me now what I can do for you; what is your trouble?" This is all. The paper is old, soiled, and has apparently made large acquaintance with pockets. It looks, indeed, as if much travel and tobacco are not foreign to it. Geoffrey, taking it from Mona, holds it from him at full length, with amiable superciliousness, between his first finger and thumb..